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Review: Bad Religion, Nofx, and Pour Habit, Auckland Town Hall, 04/10/09 by underground

New Zealand doesn’t get too many bands visit from overseas, let alone two heavy-weights at one single show. So when news broke earlier this year that Bad Religion and Nofx would play the Auckland Town Hall together, the punk scene was stoked.

Name any modern punk band and either Bad Religion or Nofx influenced their sound or gave them their break. Both bands born in the earlier 1980s, they have led the way for countless other bands, and are still going strong as Nofx surpasses 25 years and 30 years beckon for Bad Religion.

One of the hordes of bands who owe a lot to these pioneers is Pour Habit, a recent Fat Wreck Chords signing, who opened the Town Hall show. Hailing from Compton, CA, Pour Habit is really unlike most punk bands we see on our shores. Soundwise, the vocalist, an acrobatic African American, reminds me of early Tim McIlrath (Rise Against), and the band is heavy, with souring Strung Out-esque guitar solos and thunderous drumming.

Considering punk is usually about equality, acceptance and (sometimes) inclusiveness, it is a shame the scene isn’t more diverse. Hopefully Pour Habit will break more stereotypes and entice more non-whiteys away from rap and RnB and towards punk.

On to the main show, and the self-proclaimed “Sultans of Slander” took to the stage. Well known as a band who talk a lot between songs Nofx did not stray from convention, with more talk than Muammar al-Gaddafi at the United Nations before they’d even played a note, with Fat Mike quipping the instruments were “props”. Apart from a few exceptions the band played a very different setlist than previous visits, which would have pleased those who had seen them before, but likely disappointed new-comers to the band. Nonetheless the band played with enthusiasm and got nothing less from the packed crowd, with mayhem on the floor and the balconies.

With all the banter and a few rubbish songs performed, Nofx could have thrown in The Decline or a few other crowd pleasers, but with Nofx, fans should understand to expect no more than 70 or so percent.

Bad Religion took up their positions on the stage and got right into Los Angeles is Burning. They sounded flat and unenthusiastic. The single was followed by much debate and a hasty sound check. The crowd got restless but the work was worth it, as the sound was greatly improved as was the attitude of the band. Bad Religion came to please and so wanted the best sound possible. Many songs were made heavier, with the guitars producing the heaviest-sounding palm-muting imaginable, which gave the songs extra fury. Drummer Brooks Wackerman was a marvel, beyond describable. Surprisingly Bad Religion only played one track of their latest album New Maps of Hell (2007), instead playing several from Recipe for Hate, the Grey Race and many from the early 1980s.

Next year should see a new album from the world’s greatest band, and if we’re lucky, having found a shores for the first time in only 2007, Bad Religion will be back. If they do, don’t miss it for the world, as they are one hell of a fine live band.



Review: NOFX – Coaster by underground
August 14, 2009, 6:14 pm
Filed under: Music | Tags: , , , , ,

The first NOFX album I bought was Pump up the Valium. I couldn’t stand it. I was just getting into punk, having moved on from the Blink 182s and Green Days, but NOFX was not for me. Where’s the intro, verse, chorus, verse, etc. formula? After a few listens I gave up on NOFX.

NOFX was an acquired taste for me that I eventually became addicted to. I picked up their back catalogue and eagerly awaited new releases. Their latest, Coaster, has left me wondering whether they are past it though.

It’s not that musically it isn’t good. El Hefe and Melvin’s trademark licks and palm muted riffs are there in abundance. Fat Mike can play the bass like few in the business and Smelly is still a killer drummer.

It’s just a bit same old, same old.

Fat Mike is still singing about drinking and hating on religion. Sometimes it works; I am an Alcoholic and Blasphemy (the Victimless Crime), sometimes it doesn’t; First Call and Best God in Show. These songs aren’t bad; they’re just not that good. Mediocore – if you will.

The highlight is My Orphan Year. Unfortunately all too little really stands out as exceptional.

Coaster is the first NOFX album since Valium I have put in stereo, listened to for half a dozen times and then left in its case on the rack for several months.

I have on several occasions rewritten this review. It appears the album is slowly growing on me…



Music to vote to by underground

As elections loom in New Zealand and the United States, some songs become particularly relevant. Before I cast my vote on November 8th, my MP3 player will probably be playing Bad Religion’s “I want to conquer the world”, or “You are the government”. I fear the following day it might be “Fuck Armageddon, this is hell”! I think American’s would be best listening to Nofx’s “The idiots are taking over”, with a line that could almost refer to Sarah Palin. Hopefully they will be playing a more optimistic song the following day!

Alright, here are my top ten (modern) punk songs to vote to: Continue reading



That’s not punk! by underground

What the punk?

Yes that’s right, punk is dead
It’s just another cheap product for the consumers head
Bubblegum rock on plastic transistors
Schoolboy sedition backed by big time promoters
CBS promote the Clash
Ain’t for revolution, it’s just for cash
Punk became a fashion just like hippy used to be
Ain’t got a thing to do with your or me
Punk is Dead – Crass

Punk died in the 1980s. I wish they’d stop trying to resurrect it. I’ve debated this over and over. Punk is dead, kids. Get over it.” Urban dictionary

Punk rock isn’t any more alive and thriving today than psychedelic rock or new wave. As far as the broader culture is concerned, it’s been dead for awhile and it ain’t coming back.J.P. Gorman

Is punk dead? Having now fractured into so many sub-genres, it can be easy to see why people would look back 20-30 years if asked what music is punk. Additionally, considering the only punk music that gets any real exposure is pop punk, with lyrics typically about romance or bratty teenagers, or emo, which I will refrain from attacking, it is understandable that many people would believe the punk ethos to have either died, or to have dispersed elsewhere. However my friends, punk is not dead. It has, however, evolved and thankfully matured from its chaotic and often unintelligent infancy. Continue reading